Bright white strobes snapped on and off before the first chorus erupted. The stage rarely settled, with movement from left to right and frequent trips to the barrier. Yungblud treated the front edge as part of the set, leaning into the crowd and shifting pace without warning.

Photographing this 2019 date meant reacting quickly rather than anticipating. As a UK live music photographer, I focused on split-second expressions between jumps and microphone swings, working in fast-changing light and limited stillness.

The atmosphere was immediate and restless, driven by proximity and sustained intensity throughout.